Kiya Johnson shirt LSU Tigers Gymnastics hands raised shirt

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On Wednesday Kiya Johnson shirt LSU Tigers Gymnastics hands raised shirt morning in front of Clovelly Surf Life Saving Club in Sydney’s east, Australia’s 2024 Olympic opening ceremony uniforms were revealed. With a squint and a little imagination, the concrete-paved beachfront could be the banks of the River Seine in Paris, where Australia’s Olympic athletes will sport the uniform in just 100 days. So long as you ignored the swimmers taking their morning laps, that is. (Reports suggest the Seine may be too contaminated to host swimming events.) For the 10th time, the opening ceremony uniform has been designed by Sportscraft in collaboration with the Australian Olympic Committee, plus custom shoes by Volley (its fourth Olympic partnership). On this occasion, the uniform was “inspired by Parisian fashion”, says Elisha Hopkinson, the CEO of APG & Co, the parent company of Sportscraft. “Our designs blend style with functionality, ensuring our athletes feel confident as they take on the world stage.”

Kiya Johnson shirt LSU Tigers Gymnastics hands raised shirt, hoodie, sweater, longsleeve and ladies t-shirt

 

Unisex tshirt
Unisex tshirt

 

Women's tshirt
Women’s tshirt

 

Longsleeve tshirt
Longsleeve tshirt

 

Sweaters
Sweaters

 

Hoodies
Hoodies

Then around 2019 Kiya Johnson shirt LSU Tigers Gymnastics hands raised shirt the fashion internet moved to TikTok. There were new faces here: younger women more adept at producing videos than their older counterparts. They had ring lights and smooth, cherubic faces seemingly made for the camera. When I joined TikTok in late 2020, the algorithm quickly directed me to them. Every day I opened the app and watched “Get Ready With Me” (GRWM) videos, the contemporary iteration of the bloggers’ Outfit of the Day posts. I watched “content creators” review jewellery brands and makeup looks, or pose cheekily on a New York sidewalk for a quick “fit check” (always kicking up a heel to show off their shoes). TikTok was where I learned about Shein. For a while my For You page served me videos of sustainable fashion influencers decrying Shein’s labour and environmental practices. Of all the fast-fashion producers, Shein has attracted the most criticism. It has removed products from sale after toxic chemicals were found in them; it produces fabrics such as spandex that never decompose (at this point an image would flash across the screen: a mountain of discarded clothes in the Chilean desert so large it is visible from space); workers in some of its factories earn $556 a month to make 500 pieces of clothing every day, work 18-hour days, and use their lunch breaks to wash their hair – a schedule they repeat seven days a week with only one day off a month. A more nuanced TikToker might point out, briefly, that conditions in Shein factories are not necessarily unique, or that focusing on suppliers – rather than the larger systems of western consumption and capitalism that create these conditions – is a fool’s errand, but the platform isn’t built for that kind of dialogue. I clicked on the comments and invariably read ones with several dozen likes saying: “I’m so willing to die in Shein clothes.”

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