Jason isbell and the 400 classic shirt

Product Description

The men will wear Jason isbell and the 400 classic shirt a single-breasted blazer over a cotton T-shirt, which features gold and green ribbing, with beige chino, knee-length shorts. The women can pair a double-breasted version of the blazer with the shorts, or a just-above-the-knee pleated skirt that features a gradient of green, gold and white. The print was, according to Sylvia Jeffreys, the host of Wednesday’s event, “inspired by a warm summer Parisian sunset featuring an ombre green and gold print”. As someone who lived in Paris for four years, I can attest to the sunsets being a spectacular array of colours, but I never once saw the sky turn green. For the first time the Australian Olympians’ oath is embroidered on the inside pocket of each blazer. Indigenous artwork by Olympic boxer Paul Fleming titled Walking Together and by Torres Strait Island artist David Bosun called Ngalmun Danalaig is showcased in the scarf and pocket square respectively. These accessories are the best part of the uniform as they allow athletes a little self-expression: Heyman deftly tied the scarf as a neckerchief, and beach volleyball player Mariafe Artacho del Solar wore one in her hair.

Jason isbell and the 400 classic shirt, hoodie, sweater, longsleeve and ladies t-shirt

Unisex shirt

Women’s shirt

Longsleeve shirt

Sweater

Hoodie

In 2013 Jason isbell and the 400 classic shirt the Rana Plaza garment factory collapsed, killing nearly 1,200 low-wage garment workers. The eight-storey complex in Dhaka, Bangladesh, had manufactured clothing for Walmart, JCPenney, Primark and Mango, among others. The collapse was a tragedy – and a media tipping point. For a while it really felt like the realities of fast-fashion production were reaching the masses. How could anyone read about the deaths of those workers and walk into a Primark again? Wasn’t it clear that the conditions and exploitations at Rana Plaza were endemic to the entire fast-fashion industry? For years I remained a loyal reader of the blogs. Then the bloggers moved to Instagram. But the internet was changing. The fashion girls I loved were becoming more like advertisers, tagging the brands in their outfits in every post and occasionally doing sponsored content. Instagram became like a shopping mall, adding features that allowed you to buy clothes straight from the app. I missed the uniqueness and idiosyncrasy of the blogging era. The fashion subcultures I loved were subsumed by the logic of algorithms.