Good People Aren’t Dead T-shirt

Product Description

There are Good People Aren’t Dead T-shirt of course, positives here. Eighty-six per cent of the designs that athletes will wear to compete in, train in and accept medals in are adaptive – meaning athletes with or without disabilities can wear them. The Team USA kits came out this week, with female Track and Field athletes like Tara Davis-Woodhall initially complaining that it was too revealing. By contrast, Sawyers’ low-rise shorts and cropped vest top (also worn by 400m sprinter Laviai Nielsen) look like designs that allow a woman to be able to concentrate on competing. You could argue that a kit like this helps with that – perhaps too much design could distract from the task at hand, and functional and simple is best. The press release explains a nice detail – textured writing so athletes can “feel the passion rising from the typeface” when they run their hands over it. It might look bland to fashion eyes, but it could be that this kit is designed to help athletes do what they’re there to do – win. We’ll have to wait until July to find out if it works.

Good People Aren’t Dead T-shirt, hoodie, sweater, longsleeve and ladies t-shirt

Unisex tshirt

Women’s tshirt

Longsleeve tshirt

Sweaters

Hoodies

In 2013 Good People Aren’t Dead T-shirt the Rana Plaza garment factory collapsed, killing nearly 1,200 low-wage garment workers. The eight-storey complex in Dhaka, Bangladesh, had manufactured clothing for Walmart, JCPenney, Primark and Mango, among others. The collapse was a tragedy – and a media tipping point. For a while it really felt like the realities of fast-fashion production were reaching the masses. How could anyone read about the deaths of those workers and walk into a Primark again? Wasn’t it clear that the conditions and exploitations at Rana Plaza were endemic to the entire fast-fashion industry? For years I remained a loyal reader of the blogs. Then the bloggers moved to Instagram. But the internet was changing. The fashion girls I loved were becoming more like advertisers, tagging the brands in their outfits in every post and occasionally doing sponsored content. Instagram became like a shopping mall, adding features that allowed you to buy clothes straight from the app. I missed the uniqueness and idiosyncrasy of the blogging era. The fashion subcultures I loved were subsumed by the logic of algorithms.