Cat bowling I do what I want shirt

Product Description

This being Chanel Cat bowling I do what I want shirt it was not any old concrete rooftop, but a performance space atop Cité Radieuse, Le Corbusier’s 337-apartment “vertical village”. The block, with its distinctive facade of colourful circuit-board graphics, was built in response to the postwar shortage of social housing in the city and is an icon of visual storytelling that has become a city landmark. Virginie Viard, the Chanel designer, chose it to represent the “very strong sense of freedom … and of everyday life” in Marseille. The event was made a little grittier than Chanel had planned as heavy rain and blustery winds forced guests to huddle under umbrellas. (It was, many guests agreed, colder and rainier than Manchester in December.) The collection, timed to coincide with holiday-wardrobe shopping, was clearly intended for a sunnier forecast. Immaculately blow-dried hair was instantly dishevelled by the wind, and models in crochet shorts, broderie anglaise camisoles and silk dresses looked thankful for the down-to-earth touches of flat shoes and hoodies as they walked stoically through the drizzle.

Cat bowling I do what I want shirt, hoodie, sweater, longsleeve and ladies t-shirt

Unisex tshirt

Women’s tshirt

Longsleeve tshirt

Sweaters

Hoodies

I’m excited for Cat bowling I do what I want shirt new legislation. France, as ever, is leading the way with money-back schemes for those who repair clothes and punchy proposals to tax fast fashion brands. I’m also excited for more conscious consumerism: there has been a groundswell of understanding in recent years that fashion should not be an all-you-can-eat buffet, that consumption has consequences and there is such a thing as too much. The Rule of Five campaign [which Darke pioneered], along with no-buy and 30-wear challenges are attracting increasingly large audiences. Although there is still so much work to be done around workers’ pay and conditions, as well as the biggest issue of how to tackle overproduction, I’m excited about the work on regenerative textile production. Brands like Ōshadi, in India, are leading the way with new supply chains that work in harmony with nature. Their latest Seed-to-Sew collection is made with cotton grown in rotation with other crops to promote biodiversity and draw carbon into the soil. The fact that there are brands successfully reworking the way our clothes are grown and made gives me hope.