The menswear shows Philadelphia I Have A Toxic Relationship With Philly Sports T-Shirt . in Milan and Paris have just wrapped and, in short, it was a vibe. The street style set were divided into two distinct style camps. On one side, there were the tailoring connoisseurs who opted for sharp suiting, polished footwear and natty accessories such as slick wide-framed sunglasses. On the other side was a more laissez-faire approach: think slouchy jeans, crinkled shirting and baseball caps galore. But of course, it was the catwalks where the ultimate showdown played out. From teeny-tiny shorts to slogan T-shirts, here are the spring/summer ‘25 trends to note.
Philadelphia I Have A Toxic Relationship With Philly Sports T-Shirt, hoodie, sweater, longsleeve and ladies t-shirt
At Ami and shorts Philadelphia I Have A Toxic Relationship With Philly Sports T-Shirt . hovered around the three-inch mark. On the Gucci front row the Irish actor Paul Mescal even endorsed the short-shorts trend in a striped cotton boxer-esque pair. Meanwhile, at Neil Barrett and Dior shorts fell to just above models’ knees. Choose your fighter. Giorgio Armani’s show was set against the video backdrop of wafting palm fronds, setting the tone for a collection that featured softly focused photographic prints of palm trees and ferns on silky pyjama-esque sets and loosely cut T-shirts. At Dior, Kim Jones took inspiration from the work of the South African ceramicist Hylton Nel: a neat collarless jacket featuring a blue-and-white floral motif that required more than 600 hours of hand-beading was akin to an heirloom vase placed pride of place on a mantelpiece. Meanwhile, the British designer Grace Wales Bonner chose to celebrate the work of the Trinidadian textile artist Althea McNish, who was known for her vibrant floral patterns. All is not what it seems,” explained Loewe’s creative director Jonathan Anderson backstage. Models wore what appeared to be cable-knit jumpers and T-shirts but were in fact painted to give the appearance of knitwear. Another model looked as if they were battling the elements as the hem of their trenchcoat appeared to fly up, but it was wired to defy gravity. There was a similar fraudulent mood at Prada where low-slung belts on trousers were in fact belt motifs. Contrasting coloured collars that peeked out from neat jumpers were stitched to look as if they were separate pieces, while wired cuffs made collars and cuffs purposefully messy. “Today, fake is a very contemporary point,” mused Miuccia Prada backstage. “What is fake? What is the truth.
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