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It’s a low-key move for Never Underestimate An Old Man Who Loves Drag Racing And Was Born In October Buggy The Moon shirt . such a major night. but it shouldn’t come as any big surprise if you keep up with Ocean’s Instagram. Once he made his account public late last year, you could get a sense for Ocean’s style mood board, which included that trendy Prada bucket hat. Some people might feel intimidated in such an everyday garment with such an over-the-top theme, but Ocean’s got the confidence to pull it off. Maybe he will kick off a full-out trend—look out for hoodies in lieu of traditional tuxedo jackets on next year’s red carpet.On a night when celebrities are trying to outdo one another at the Met Gala for the campiest, meme-iest looks, Kanye West went in a completely opposite direction. Arriving with Kim Kardashian who wore a bronze-gold custom silicon Thierry Mugler dress
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West opted for an extremely casual ensemble Never Underestimate An Old Man Who Loves Drag Racing And Was Born In October Buggy The Moon shirt . The rapper wore a simple black Dickies zip-up jacket known as “The Eisenhower Jacket,” modeled after a World War II style that was inspired by General Dwight D. Eisenhower. Further honing in on the utilitarian trend, Kanye paired the jacket with a white t-shirt, black pants, and black Yeezy Season 4 Military Combat boots.It isn’t the first time that Kanye has taken the pared-back route on the red carpet. In 2016 for the “Manus x Machina: Fashion in An Age of Technology” gala, Kanye paired his glitzy Balmain jacket with shredded jeans. As for his choice this time? West’s rejection of the theme was equally ironic and accessible: You can buy his red carpet jacketLast year was Cardi B’s first Met Gala, and naturally she made it count. Cardi arrived at the divinely themed Gala in a gem-encrusted Moschino gown fit for a queen, showing off her baby bump in the process. After spending months concealing her pregnancy with belly-obscuring peplums and A-line skirts, Cardi opted for a look that accentuated her maternity curves—plunging neckline, bump-hugging waist, and a daring leg reveal.This year, though, the singer went for something much more reserved. She showed up to the Met Gala red carpet completely covered up, head to toe, in an anatomically accurate, oxblood custom Thom Browne gown that extends outward in concentric circles for about ten feet. Made from tulle and silk organza and filled with down, the hand-embroidered dress is also decorated with 30,000 burned and dyed coque feathers. It took 35 people more than 2,000 hours to create, and it’s finished off with a bugle-bead headpiece that Browne made in collaboration with Stephen Jones.
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